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Quemar Press' new paperback is now available, Jennifer Maiden's The Cuckold and the Vampires: an essay on some aspects of conservative political manipulation of art and literature, including the experimental, and the conservatives' creation of conflict. It can be purchased from the Books for Purchase page.
From Quemar's Press release: ...She has stated that it was created to be discursive and explorative in order to help widen the perspective of both sides of the political spectrum. The work discusses some of the vast history of conservative influences and persuasions in art, from medieval Europe to contemporary America, Europe, Asia and Australia. The essay's warm, enjoyable, astute and witty tone humanises political forces, institutions and players.... This essay acts as a platform to give an artistic overview, to deconstruct microcosmal, interpersonal powerplay and rejection. In spite of any labyrinth or lure, here neither art nor artist are lessened by the impact of political manipulation, and candid respect for art is at one with the artist's survival. |
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All She Resolves to Rescue is now available - a paperback presenting Marie de France's medieval romances Lanval and Guildeluec and Guilliadon (known as Eliduc) in Quemar Press' new Modern English translation, with the original Anglo-Norman French, and a subjective essay on the translations. The paperback can be purchased on the Books for Purchase page.
From Quemar's Press Release: The title All She Resolves to Rescue has two senses. On one level, the female heroes in these texts discern all that needs to be rescued. On another level, the rescues affect all, connecting disparate worlds surrounding them. Here, a sprite-like Lady can tell the Knight Lanval that she could never appear visible before him again if he let anyone know of their affection, but when her existence and her actual presence are the only things that can rescue him from the Court's corruption, she rides openly through the city, having decided to speak unconcealed before Lanval and the Court. In a similar way, with similar emancipatory energy, Guildeluec - the wife of the titular Knight Eliduc - can decide to revive the Lady whom Eliduc loves, who was hidden to her until that day... |
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Jennifer Maiden's new 75-page The Cuckold and the Vampires: an essay on some aspects of conservative political manipulation of art and literature, including the experimental, and the conservatives' creation of conflict is now available on the Books page with an ISBN as a free download.
Maiden has observed: ‘One purpose of the essay is to try to warn against microcosmic unwariness in a situation where overwhelming macrocosmic forces are at play…there are all sorts of twists and turns during the course of my essay. My focus is on the wider causes of damage and the nature of power in art… we will continue to try here to respect what Pinter considered mandatory and to smash the mirror of the microcosm, to try to look at the macrocosm behind it.’ The essay is immense in scope and immensely enjoyable, astute and witty. |
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Quemar Press' new Modern English translation of Marie de France's Guildeluec and Guilliadon ( a romance known as Eliduc) with a new Preface by the translator now has an ISBN, and is available as a free download on the Books page.
From Quemar Press' Preface:
'Near the story's conclusion, the narrator explains '"they all made such effort/...so made their ending beautiful completely". Here, effort belongs to both natural force and protagonist, whether it is a storm forcing necessary truth to be revealed, or someone actively on watch over one she resurrected. Whether in a wave-torn ship, or unfolding and enfolding forest depths, this is a story where humane survival, affection and rescue come from action and deliberation, to surpass societal concepts such as roles in relationships, marriage and rivalry.'
From Quemar Press' Preface:
'Near the story's conclusion, the narrator explains '"they all made such effort/...so made their ending beautiful completely". Here, effort belongs to both natural force and protagonist, whether it is a storm forcing necessary truth to be revealed, or someone actively on watch over one she resurrected. Whether in a wave-torn ship, or unfolding and enfolding forest depths, this is a story where humane survival, affection and rescue come from action and deliberation, to surpass societal concepts such as roles in relationships, marriage and rivalry.'
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Jennifer Maiden's collection The Espionage Act: New Poems (2020) - available now
It can be purchased on the Books for Purchase page. From Quemar's Press Release: The Espionage Act is the new poetry collection by the internationally renowned author, Jennifer Maiden. With her characteristic clear, powerful focus and crisp but sumptuous lyrical style, she analyses espionage in many senses - from the U.S. 1917 Espionage Act to reflections on the Deep State, to tactical levels in conservative espionage, to its sexuality of fear, to covert promotion and funding of experimental art, to espionage as survival, and to espionage's reactions to primal digital technology. Maiden also describes the mind itself in its multifaceted acts of espionage. |
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Quemar Press' new paperback, Workbook Questions: Writing of Torture, Trauma Experience, by Margaret Bennett and Jennifer Maiden, is now available. It can be purchased on the Books for Purchase page. Workbook Questions: Writing of Torture, Trauma Experience is designed to facilitate survivors of trauma and torture in writing of traumatic experiences, even if complex or untold, by using clinically planned questions to create a space where the survivor's sense of self and identity can remain securely intact. |
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Quemar Press' lively new far-reaching paperback, Once She Had Escaped the Tower, is available now, and can be purchased on the Books for Purchase page.
From Quemar's Press Release:
The title 'Once She Had Escaped the Tower' has two meanings: once a lady escaped an imprisoning tower resolutely; and the lady continued her actions after escape. In contrast to literature in which a female hero dies captive in a tower, and to works in which her escape signals the end of narrative, Quemar Press’ new volume shows female protagonists’ survival, and casts light on them as they continue. This volume includes two texts encompassing this ability to continue: Medieval French chantefable 'Aucassin and Nicolette' and Marie de France’s Anglo-Norman Romance 'Gugemer'. Quemar's Modern English translations are juxtaposed with the early French texts. This volume also includes a subjective essay by the translator.
From Quemar's Press Release:
The title 'Once She Had Escaped the Tower' has two meanings: once a lady escaped an imprisoning tower resolutely; and the lady continued her actions after escape. In contrast to literature in which a female hero dies captive in a tower, and to works in which her escape signals the end of narrative, Quemar Press’ new volume shows female protagonists’ survival, and casts light on them as they continue. This volume includes two texts encompassing this ability to continue: Medieval French chantefable 'Aucassin and Nicolette' and Marie de France’s Anglo-Norman Romance 'Gugemer'. Quemar's Modern English translations are juxtaposed with the early French texts. This volume also includes a subjective essay by the translator.
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Quemar's complete Modern English translation of Lanval, Marie de France's Medieval French Romance, is now available as a free download on our Books page with an introduction.
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brookings: the noun, Jennifer Maiden's new poetry collection from Quemar Press, is now available in paperback and electronic editions from the Books for Purchase page.
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The final novel in Jennifer Maiden's Play With Knives Quintet, George and Clare, the Malachite and the Diamonds, is available now from Quemar Press.
At the Books for Purchase page, you can find information on how to purchase or obtain it.
From Quemar's Press release:
The last novel in Jennifer Maiden's Play With Knives Quintet, George and Clare, the Malachite and the Diamonds experiments across poetry, prose, style, person, action and sense of self.
Clare was the central character in what the Oxford Companion to Australian Literature calls Maiden's 'impressive' first Play With Knives novel. Set in Sydney's Western Suburbs, it was first published in 1990, and centres on Clare and George's survival as Clare is released from prison. The Quintet outlines the growth of these characters...
Whether in Russian winter light, or the light of a Mount Druitt mall at midnight, this work experiments to create platforms where aspects of reality or experience can integrate, as they move between a sense of self and overview, between action and the ability to transcend it.
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At the Books for Purchase page, you can find information on how to purchase or obtain it.
From Quemar's Press release:
The last novel in Jennifer Maiden's Play With Knives Quintet, George and Clare, the Malachite and the Diamonds experiments across poetry, prose, style, person, action and sense of self.
Clare was the central character in what the Oxford Companion to Australian Literature calls Maiden's 'impressive' first Play With Knives novel. Set in Sydney's Western Suburbs, it was first published in 1990, and centres on Clare and George's survival as Clare is released from prison. The Quintet outlines the growth of these characters...
Whether in Russian winter light, or the light of a Mount Druitt mall at midnight, this work experiments to create platforms where aspects of reality or experience can integrate, as they move between a sense of self and overview, between action and the ability to transcend it.
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Quemar's full Modern English translation of Gugemer, Marie de France's Medieval French Romance, is now available on our Books page with an introduction. It is a free download.
Quemar Press' unique study of the post-war Surrealist artist, Vera Rudner, is now available for purchase on the Books for Purchase page.
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Play With Knives: Three & Play With Knives: Four - Jennifer Maiden's recent, cutting-edge novels in poetry and prose - are available in one paperback volume from Quemar Press.
It is available for purchase on the Books For Purchase page.
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It is available for purchase on the Books For Purchase page.
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Jennifer Maiden's awaited new selected from Quemar Press, Selected Poems 1967-2018 is now available for purchase on the Books for Purchase Page.
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Jennifer Maiden's Play With Knives & Play With Knives: Two: Complicity in one 296 page paperback volume - now released from Quemar Press.
It can be purchased on our Books for Purchase page for $21.00 (Australian) with free postage worldwide.
It can be purchased on our Books for Purchase page for $21.00 (Australian) with free postage worldwide.
The complete novel, Play With Knives: Four: George and Clare, the Baby and the Bikies by Jennifer Maiden is now available as a free download from the Books page.
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The complete Medieval French Chantefable, Aucassin et Nicolette, translated and photo-illustrated by Katharine Margot Toohey, is now available as a free download on the Books page.
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Following support and requests from our readers, complete advance copies of Jennifer Maiden's new 150-page, 40-poem collection, Appalachian Fall: Poems About Poverty in Power, are now available for purchase from Quemar Press in our own exclusive print and electronic editions.
The editions can be purchased from our Books for Purchase page.
We have received several queries about the nature of the purchase. The advance copies are complete ones and the same as they will be in a shop. If in a shop, the Recommended Retail Price will be at least $21.00 and the electronic edition will not be included.
We are offering the book and download for $18.50, and the download by itself for $5.00. We are not charging postage anywhere. We are posting the book through Australia Post mail as soon as the order is placed, and it has always been received very promptly (there have been inquiries as to whether these were only advance orders). If the purchaser does not wish to use PayPal, other arrangements such as cheque can be made via our contact page, and we have already been happy to do so.
To clarify further, the collection has 22 more poems than the sampler, which can still be downloaded through the cover image on the Books for Purchase page. In the collection, but not in the sampler, are new poems such as those on Brigitte Bardot, Nora Barnacle, Bruce Beaver, Christopher Brennan, Vera Rudner, polar bears, carbon credits, Twin Peaks, May Holman, Carols at Kings, the poem as essay, Appalachian terrors, mountaintop mining and extraordinary autobiographical pieces.
The editions can be purchased from our Books for Purchase page.
We have received several queries about the nature of the purchase. The advance copies are complete ones and the same as they will be in a shop. If in a shop, the Recommended Retail Price will be at least $21.00 and the electronic edition will not be included.
We are offering the book and download for $18.50, and the download by itself for $5.00. We are not charging postage anywhere. We are posting the book through Australia Post mail as soon as the order is placed, and it has always been received very promptly (there have been inquiries as to whether these were only advance orders). If the purchaser does not wish to use PayPal, other arrangements such as cheque can be made via our contact page, and we have already been happy to do so.
To clarify further, the collection has 22 more poems than the sampler, which can still be downloaded through the cover image on the Books for Purchase page. In the collection, but not in the sampler, are new poems such as those on Brigitte Bardot, Nora Barnacle, Bruce Beaver, Christopher Brennan, Vera Rudner, polar bears, carbon credits, Twin Peaks, May Holman, Carols at Kings, the poem as essay, Appalachian terrors, mountaintop mining and extraordinary autobiographical pieces.
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In 2020, Quemar will publish a new English translation of Bernat Metge's late fourteenth century Catalan masterpiece, Lo Sompni (known as 'Lo Somni' in modern Catalan). This story about official persecution is a precursor to works such as Orwell's 1984.
A 37th preview, now comprising the entire Book One of Lo Sompni (The Dream) and the beginning of Book Two, is available by clicking on the cover picture below.
Imprisoned in a dangerous setting for the murder of King John the First, Metge described spectral conversations with the dead King so that the text would persuade society of Metge's innocence. The intricate metaphysical debate in the dialogue reinforced the recognition that Metge was not regarded as guilty by the late King. There was also deliberate contextual irony in that the Metge persona continued to debate the existence of the spiritual afterlife with the vibrant spirit of the King, Metge then having moved on to the subject of the survival of animals' souls, for which survival he argued against the King, if still needing to display deference. There was a new facet of irony here, as the reader already knew that the King is accompanied by spectral birds and hounds. Whilst Metge at last appeared to accept the King's more orthodox position, the work allowed him to present his own broader humane perceptions in a safe context. The scene was set for their dialogue to continue, although the King warned Metge to be succinct, as the King could not stay long. In Book Two, the concept becomes even more direct and daring, as Metge begins to question the King about the circumstances of the King's death, and the nature of death and fear. The King then recounts his experience in trying to justify his position in the medieval Papal Schism to the Devil, before being assigned to Purgatory. The Humanist Metge continues to use traditional medieval theology to give verisimilitude to the King's situation in persuading the audience of the work's supposedly orthodox nature, and Metge's innocence of killling the King, whilst Metge's own persona remains courteously questioning about the theology. The King is given more verisimilitude by his recounting of his own debate with the Prince of Evil Spirits about Papal conflict between Rome and Avignon.
A 37th preview, now comprising the entire Book One of Lo Sompni (The Dream) and the beginning of Book Two, is available by clicking on the cover picture below.
Imprisoned in a dangerous setting for the murder of King John the First, Metge described spectral conversations with the dead King so that the text would persuade society of Metge's innocence. The intricate metaphysical debate in the dialogue reinforced the recognition that Metge was not regarded as guilty by the late King. There was also deliberate contextual irony in that the Metge persona continued to debate the existence of the spiritual afterlife with the vibrant spirit of the King, Metge then having moved on to the subject of the survival of animals' souls, for which survival he argued against the King, if still needing to display deference. There was a new facet of irony here, as the reader already knew that the King is accompanied by spectral birds and hounds. Whilst Metge at last appeared to accept the King's more orthodox position, the work allowed him to present his own broader humane perceptions in a safe context. The scene was set for their dialogue to continue, although the King warned Metge to be succinct, as the King could not stay long. In Book Two, the concept becomes even more direct and daring, as Metge begins to question the King about the circumstances of the King's death, and the nature of death and fear. The King then recounts his experience in trying to justify his position in the medieval Papal Schism to the Devil, before being assigned to Purgatory. The Humanist Metge continues to use traditional medieval theology to give verisimilitude to the King's situation in persuading the audience of the work's supposedly orthodox nature, and Metge's innocence of killling the King, whilst Metge's own persona remains courteously questioning about the theology. The King is given more verisimilitude by his recounting of his own debate with the Prince of Evil Spirits about Papal conflict between Rome and Avignon.
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In 2020, Quemar Press will publish Meeting Each Other Alive our new English translations of the historic love letters between Manuela Sáenz and Simón Bolívar - two great leaders of the Nineteenth Century South American Revolution - and excerpts from Manuela Sáenz's diary. The fifteenth preview of Quemar's translation and commentary can be read by clicking on the picture above.
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Quemar Press will publish Jennifer Maiden's new poetry collection, Biological Necessity, in 2021. Nine preview poems, Diary Poem: Uses of Biological Necessity, On Re-Reading the Essay, Paper dolls in paper clothes, Gore Vidal Woke Again in Belmarsh Prison, Purgatory, George Jeffreys: 28:
George Jeffreys Woke Up in Isolation, A somewhat consistent rule (in which Gore Vidal wakes up at the Old Bailey Assange Hearing, 9/9/20), Diary Poem: Uses of Indigo and After the Volcano can be read by clicking on the cover image to the left. |
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The second preview of Quemar Press' Modern English translation of Marie de France's 12th-century Anglo-Norman French Romance, Le Fresne (The Ash Tree) can be read by clicking on the cover picture above. In this lai, spontaneous affection overcomes conceptual rejection.
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